YA I’m looking forward to in 2013
I‘m into contemporaries with unique and quirky sounding concepts. These are the ones which fascinate me the most.
1. Life in Outer Space by Melissa Keil (Feb 2013, Hardie Grant Egmont) I confess, Melissa is my ex-editor. I knew she wrote, but was shy about revealing the exact details. I complimented her once on a short story, and said I believed in her, but I don’t think she believed me. Plucked out of 250 submission by The Ampersand Project, I just can’t wait to find out what makes this book a standout. Billed as a geeky romance with everything we love about 80s rom coms, this sounds unique and awesome.
2. All This Could End by Steph Bowe (Feb 2013, Text) I absolutely adored Steph’s debut novel Girl Saves Boy. It had such a fresh, indie voice that it got me questioning, why aren’t there more real teens writing teen fiction and being published? I’ve been waiting for the next installment ever since. Now 18, I’m hoping to see a maturity and growth and by the sounds of it – a story about a girl’s bank robbing family – also a new edginess. I’m hoping it’s Girl Saves Boy meets Pulp Fiction.
3. Sweet Damage by Rebecca James (April 2013, Allen & Unwin) I still dream about Anna London’s House. How beautiful and Rebecca-esque is this opening? I’m a fan of Rebecca’s debut, Beautiful Malice and it looks like she’s back with more sinister girls and a mysterious tale of intrigue. Rebecca does Toxic Girls better than anyone and yes, I am jealous of her in a second banana sot of way (it’s actually admiration, not jealousy). This looks right up my alley.
4. Bridge of Clay by Markus Zusak (unconfirmed). Maybe this is wishful thinking. There is no confirmed date for MZ’s long awaited next novel. But one can wish. I’ve read some of the snippets of the novel on his Facebook fan page and the writing is absolutely beautiful, it’s like he’s gone to a total new level since The Book Thief. He’s come a long way since Underdog 🙂
5. The Howling Boy by Cath Crowley (Sept 2012, Pan Macmillan Australia). Cath Crowley’s voice is like no other and like Markus Zusak, her talent has slowly been building until it culminated in Graffiti Moon. Will she top that? I think it’s possible that Cath is going to take her writing to a new place and with hints to a stream-of-consciousness styling, things that happen in the subconscious, mystery and love, it all points to something exciting, experimental and amazing. That title is so evocative.